The Ace Of Cups - It's Bad For You But Buy It (2003)


The Ace Of Cups
It's Bad For You But Buy It (2003)
Label:   
Length:  1:13:36
    Track Listing:
      1.  
      		 Music    2:08
      2.  
      		 Boy, What'll You Do Then    2:31
      3.  
      		 Glue    4:38
      4.  
      		 Taste Of One    2:03
      5.  
      		 Stones    4:46
      6.  
      		 Looking For My Man    7:10
      7.  
      		 Afro Blue    6:39
      8.  
      		 Pretty Boy    3:44
      9.  
      		 Waller Street Blues    4:46
      10.  
      		 I Wanna Testify    2:59
      11.  
      		 Gospel Song    6:05
      12.  
      		 Circles    5:00
      13.  
      		 Catch You Later    3:56
      14.  
      		 Simplicity    4:52
      15.  
      		 Medley- Life In Your Hands , Thelina    7:30
      16.  
      		 Hear Every Sound    4:43
    Additional info: | top
      The Ace of Cups were fairly well known on the late-'60s San Francisco rock scene, playing many shows in the area (and occasionally venturing beyond), and sometimes supporting big names such as Jefferson Airplane. They also attracted attention by virtue of being one of the few all-women self-contained rock bands of their time and place. They never released anything while they were active, however, dooming them to obscurity beyond the memories of those who managed to see them live. A CD of previously unreleased late-'60s recordings did see release in 2003, with an offbeat mixture of raw bluesy garage rock, wistful harmony-rich gospel-tinged songs, and quirky numbers that mixed in some period social commentary and satire. There's more promise than distinguished artistry in these recordings, however, which sound a little crude and derivative when compared to the better San Francisco groups of the time.

      The Ace of Cups came together in Haight-Ashbury right as psychedelic rock was taking off, and played a mostly original repertoire, with most of the band writing and all of them singing. Guitarist Denise Kaufman, who did more of the songwriting and lead vocals than any other member, had sung and played harmonica on an obscure 1966 garage rock single by Denise & Company; she was also the ex-girlfriend of future Rolling Stone co-founder Jann Wenner. Originally they were managed by Ambrose Hollingsworth, who'd managed Quicksilver Messenger Service in their early days before getting disabled by a car accident. Hollingsworth in turn eventually passed the reins over to Ron Polte, who'd succeeded Hollingsworth as Quicksilver's manager.

      Despite achieving a fair amount of recognition in the Bay Area (and a brief plug in a December 1967 issue of Melody Maker by Jimi Hendrix, with whom the band had played a free concert in the Golden Gate Park panhandle shortly after the Monterey Pop Festival), they never got a record deal. Why that didn't happen isn't entirely clear, as they had opportunities to sign with Warner Bros., Capitol, and Fantasy. Their management evidently felt the band wasn't ready or that the offers weren't suitable; keyboardist Marla Hunt has also said that Albert Grossman was interested in signing them, but had his offer turned down by Polte. Too, there was some reluctance in the group to tour behind records as some of them were starting families. They did appear on some records after a fashion when Kaufman's "Flute Song" was recorded on Quicksilver Messenger Service's Shady Grove album in 1969, and the group did some backing vocals on records by Quicksilver, Jefferson Airplane, Nick Gravenites, and Mike Bloomfield.

      In the early '70s, the band began to lose momentum as original members drifted away. The lineup changed so much that at one point three men were in the group, which came to an end around 1972. In 2003, late-'60s Ace of Cups rehearsals, demos, TV soundstages, and in-concert tapes were assembled together for the Big Beat CD compilation It's Bad for You But Buy It!, which also includes "Boy, What'll You Do Then," a song from Denise & Company's 1966 single.
      The Ace of Cups never released a record, but this 73-minute CD was compiled from late-'60s "rehearsals, demos, TV soundstages, and in-concert tapes," according to the liner notes. (Unfortunately no dates are given for any of the tracks, except the 1966 Denise & Company single "Boy, What'll You Do Then," a garage rock rarity with future Ace of Cups member Denise Kaufman on lead vocals.) It might not be fair to judge a band on recordings that were not originally intended for wide circulation, and did not benefit from truly professional studio production (though the fidelity's fine). However, simply to judge the music that's here, it's frankly pretty erratic, and not a convincing argument that they might have developed into a first-rate band had they gotten a real record deal. Rawness is not always a bad thing, but at its most raw — particularly on the bluesy garage rockers — the group often teeter on the line of sloppy amateurism. There's some promise here in some of the unusual song construction — "Glue" detours into a commercial satirizing consumerism mid-song, and other tunes unpredictably change tempo and stretch out into long instrumental sections — and in some of the eerie harmonies and melodies, particularly on the fragile tunes like "Music," "Simplicity," and "Taste of One." There's also some plain-speaking toughness reflective of a middle-class generation starting to truly express what was on their mind in popular music, somewhat reminiscent of the most straightforward blues-rockers by a San Francisco band that slightly preceded them, the Great Society. There's also a cool if not quite totally polished rock vocal cover of Mongo Santamaria's jazz classic "Afro Blue," and some interesting gospel-rock fusion of sorts in the most mature-sounding compositions; it's easy to imagine that the group might have headed in that direction had they started to record around 1970. But much of this is interesting, with off-kilter ideas in search of some honing. It's admirably eclectic, yet doesn't fully cohere into a satisfying whole; the songwriting and tunes are unusual, but not really compelling; and there's usually a lack of tightness in both the playing and singing, like that of a group who haven't totally mastered their skills (or timing). For all that, as a reflection of the loose genre-blending ethos gathering currency in San Francisco psychedelic rock in the late 1960s, it's not a bad document. And it's certainly well-documented here, the accompanying 20-page booklet including detailed quotes from all five band members.


      1 Music [#] Kaufman 2:08
      2 Boy, What'll You Do Then Kaufman 2:31
      Composed by: Kaufman
      Performed by: Denise & Company


      3 Glue [#] Kaufman 4:38
      4 Taste of One [#] Kaufman 2:03
      5 Stones [#] Gannon 4:46
      6 Looking for My Man [#] Hanson 7:10
      7 Afro Blue [#] Santamaria 6:39
      8 Pretty Boy [#] Simpson 3:44
      9 Waller Street Blues [#] Gannon, Hanson, Kaufman ... 4:46
      Composed by: Gannon, Hanson, Kaufman, Simpson, Vitalich


      10 I Wanna Tesify [#] Clinton, Taylor 2:59
      11 Gospel Song [#] Hanson 6:05
      12 Circles [#] Kaufman 5:00
      13 Catch You Later [#] Hanson 3:56
      14 Simplicity [#] Kaufman 4:52
      15 Medley: Life in Your Hands/Thelina [#] Allegra, Kaufman 7:30
      16 Hear Every Sound [#] Hanson 4:43
    Links/Resources | top