STILL LIFE biography
This English foursome can be traced as far back as 68 with a single that sank almost without a trace, but their only album appeared in 71 on the legendary Vertigo label with the Swirl design and a 6360 catalogue number, which makes it very collectible and now fetches small fortunes. This album got a Cd release in the early 90’s on the German label Repertoire (as most Vertigo releases did). They often toured with The Edgar Broughton Band and were a bit their protégé band.
Musically speaking STILL LIFE is your standard prog quartet that also toured with TITUS GROAN and ARTHUR BROWN’s KINGDOM COME and their sound is organ-dominated early British prog with a good bass thread so typical of that era, that can now be considered proto-prog. With odd lyrics, and a rather strange gatefold artworksleeve of a flowered skull (that could easily fitted a GRATEFULL DEAD album), STILL LIFE is a curiosity an...
This English foursome can be traced as far back as 68 with a single that sank almost without a trace, but their only album appeared in 71 on the legendary Vertigo label with the Swirl design and a 6360 catalogue number, which makes it very collectible and now fetches small fortunes. This album got a Cd release in the early 90’s on the German label Repertoire (as most Vertigo releases did). They often toured with The Edgar Broughton Band and were a bit their protégé band.
Musically speaking STILL LIFE is your standard prog quartet that also toured with TITUS GROAN and ARTHUR BROWN’s KINGDOM COME and their sound is organ-dominated early British prog with a good bass thread so typical of that era, that can now be considered proto-prog. With odd lyrics, and a rather strange gatefold artworksleeve of a flowered skull (that could easily fitted a GRATEFULL DEAD album), STILL LIFE is a curiosity and enjoyable, but by no means an essential record and little is known of the future adventures (if any) of their members after having disbanded in the following years.
Excellent British Progressive Rock Characterized by Expert Hammond Organ Playing, Intricate and Original Vocal Harmonies and an Agile and Precise Rhythm Section. The Scarce Liner Notes and Credits Has Created Somewhat of an Air of Mystery Surrounding the 1971 Album, but it is Almost Certain that the Musicians Listed Simply as "Amos" (Bass) and "Cure) (Vocals) Are Actually Martin Cure of "Martin Cure and the Peeps" and Graham Amos of the "Rainbows".
1. People In Black
2. Don't Go
3. October Witches
4. Love Song No. 6 (I'll Never Love You Girl)
5. Dreams
6. Time
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