Good Rats - Tasty
Biography by Greg Prato
While countless rockers started their careers in the New York suburb of Long Island before going on to worldwide success (Billy Joel, Twisted Sister, Steve Vai, Brian Setzer, Blue Öyster Cult, etc.), there have been countless acts that appeared poised for a breakthrough, but for whatever reason, fell short. Many longtime followers of Long Island-based rock would probably agree that tops on the 'woulda/coulda/shoulda' list were the Good Rats, a group who played at some of the East Coast's best-known/biggest venues (Madison Square Garden, Nassau Coliseum, the Philadelphia Spectrum) during the '70s, while opening for such big names as Aerosmith, Ozzy Osbourne, the Grateful Dead, Bruce Springsteen, Kiss, Journey, Heart, Styx, Meat Loaf, and Rush, among others. Specializing in a tough form of bar band/hard rock (comparable to Led Zeppelin early on, before getting more commercial), quite a few bandmembers have waltzed through the Good Rats' ranks since their formation during the late '60s, but through it all, lead vocalist Peppi Marchello has been present. Originally consisting of Marchello, drummer Joe Franco (later briefly a member of Twisted Sister), bassist/vocalist Lenny Kotke, plus a pair of guitarists/singers, John "The Cat" Gatto and Mickey Marchello. Debuting in 1969 with The Good Rats, a frustrating trend would soon follow for the group -- their albums would be well-received by their large, local fan base and regional radio, but would fail to connect to other parts of the continent. It was the group's sophomore effort, 1974's Tasty, that would spawn one of the Good Rats best-known songs: the jazzy title track, which remains a staple on Long Island-based classic rock radio. It was also around this time that the Good Rats caught the attention of guitarist Tommy Bolin (through a mutual friend), who was earning raves at the time due to his flashy guitar work for the likes of Billy Cobham and Deep Purple. Bolin was so impressed with the group that he had the management of one of his favorite clubs, Denver's Ebbets Field, hire the group, which resulted in a jam session with Bolin and drummer Carmine Appice on a rousing cover of Cobham's "Stratus," which would appear years later on the Bolin compilation Bottom Shelf (Bolin sadly died from a heroin overdose two years later). Although some groups would have quickly given up because of all the turbulence the Good Rats experienced, Marchello and company admirably continued to soldier ahead -- continuing to issue strong yet overlooked albums (1978's Rats to Riches and Birth Comes to Us All, 1979's Rat City in Blue, and 1981's Great American Music, the latter of which featured future Kiss guitarist Bruce Kulick). After laying low for a few years, Peppi put together a whole new version of the Good Rats in the early '90s, featuring his son, guitarist Gene Marchello, who was a member of the short-lived-'80s pop-metal outfit, Marchello. After their rebirth, the Good Rats began issuing all-new studio albums, including 1996's Tasty Seconds and 2002's Play Dum. The original lineup of the Good Rats has been known to sporadically reunite for gigs, such as a pair of shows in Rochester, New York, in October of 1998, which saw the 'new' Good Rats open for the original Good Rats.
Track
1 Back to My Music
2 Injun Joe
3 Tasty
4 Papa Poppa
5 Klash-Ka-Bob
6 Fireball Express
7 Fred Upstairs and Ginger Snappers
8 300 Boys
9 Phil Fleish
10 Songwriter
"Tasty" is by far the greatest accomplishment by "America's Favorite Unknown Band": The Good Rats. I was first aquainted with the "Tasty" album at a young age when my father, who was a Good Rats fan in his youth, passed his taste in music down to me. I first became familiar with the popular title track, "Tasty", the upbeat lead-off track, "Back To My Music", and the eeire but lyrically ingenius and funny "300 Boys". Later on, I came to recognize the musical brilliance in "Klash Ka Bob", "Poppa Papa", "Phil Fliesh", the vocal magnificance in "Songwriter", "Injun Joe", and "Fireball Express", and the nostalgic ingenius in "Fred Upstairs and Ginger Snappers". And then it hit me. There is not a single song on this album that isn't worth listening to. Peppi Marchello posseses the rock and roll voice that most bands dream of having, John Gatto's guitar playing is flawless (check out "Klash Ka Bob" to hear Gatto at his best!), Lenny Kotke's fingers fly on the bass, Micky Marchello's guitar and vocal harmonies are always dead on, and Joe Franco's drumming is admirable. Essentially, The Good Rats are the model band for 70's rock. Why then did not make it big is beyond mystery to me. The "Tasty" album is a must-have for rock fans of all ages
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