Soft Machine - BBC Radio 1967-1971 This first volume contains all the sessions recorded for John Peel's 'Top Gear' programme. This features several previously unreleased recordings, including the 1967 session with Kevin Ayers on bass, guitar and vocals. The running order is mostly chronological, but has been tinkered with by Robert Wyatt, "for reasons of aural satisfaction".
The cover design features an abstract 'photograph' by Robert Wyatt and the booklet includes a liner note each from Hugh Hopper and Kevin Ayers. It also has detailed liner notes by Mark Ellingham and several band pictures by the great photographer, Mark Ellidge.
HUX037
CD1 1. Clarence In Wonderland 2. We Know What You Mean 3. Certain Kind 4. Hope For Happiness 5. Strangest Scene Recorded 6. Facelift/Mousetrap/Noisette/Backwards/Mousetrap Reprise 7. The Moon In June 8. Instant Pussy 9. Slightly All The Time/Out Bloody Rageous/Eamonn Andrews CD 2 1. Virtually 2. Fletcher's Blemish 3. Neo-Caliban Grides 4. Dedicated To You But You Weren't Listening 5. Eamonn Andrews/All White 6. Mousetrap/Noisette/Backwards/Mousetrap Reprise/Esther's Nose Job
CD1 Tracks 1-5 Recorded 5.12.67 First transmission 17.12.67 Track 6 Recorded 10.6.69 First transmission 15.6.69 Track 8 Recorded 10.11.69 First transmission 29.11.69 Track 9 Recorded 4.5.70 First transmission 16.5.70
CD2 Tracks 1-2 Recorded 15.12.70 First transmission 2.1.71 Track 5 Recorded 1.6.71 First transmission 26.6.71 Track 6 Recorded 10.11.69 First transmission 29.11.69
# Audio CD (April 7, 2003) # Original Release Date: March 31, 2003 # Number of Discs: 2 # Format: Live, Import # Label: Hux Records # ASIN: B00008IUWR
Review by François Couture
There is no shortage of collections of archive material by the Soft Machine and some of them are pretty good (especially the ones released on Cuneiform). But this Hux double-CD compilation is the mother lode. You just can't beat BBC recordings for good sound quality and meaningful "alternate versions." This first volume covers the group's early years up to the departure of drummer Robert Wyatt, starting with a session from December 1967, when the Softs consisted of Kevin Ayers, Mike Ratledge, and Wyatt. Early demo and live versions of dubious quality of "Clarence in Wonderland," "Certain Kind," or "Hope for Happiness" are in circulation (see Turns On, Vol. 1, for instance), but these recordings are far more superior. A session from 1969 features Wyatt, Ratledge, Hugh Hopper, and Brian Hopper in a torrid medley of "Facelift" and the "Mousetrap" suite, but the jewel of the first disc is indisputably a full-band rendition (Ratledge, Wyatt, and Hugh Hopper) of "Moon in June," one of very few times it was performed as such (the studio version was mostly put together by Wyatt overdubbing all parts). Disc two presents sessions from 1971 with Elton Dean added to the regular lineup. The last track is another "Mousetrap" sequence seguing into "Esther's Nose Job," performed by the short-lived septet lineup (with a brass section formed by Dean, Lyn Dobson, Marc Charig, and Nick Evans). This is the closest thing to a studio recording existing by this particular group and it is well-worth the price of admission. If you are a relative newcomer to the music of Soft Machine and are looking to expand beyond their studio releases, start here before moving on to more obscure live sets.
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